Category Archives: trees

drawing breath

Trees can be very big, and some of them are very old. Their character and way of life is complex, in many ways hidden, and very different from our own. They can make us pause and they can make us gasp.

drawing breath is a collection of twelve poems arising from a collaboration with visual artist Tansy Lee Moir.

I’ve made booklet with the poems, some photographs, and some of Tansy’s drawings, and I’ve also made a series of recordings of readings.  Hope you like them!

You can find links to all of these and more about our collaboration here.

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Reading at Howden Park

I’m going to be reading some poems at Tansy Lee Moir’s residency presentation event at the Howden Park Centre, Livingston on Sunday (23d) afternoon.  If you’re anywhere nearby it’d be great to see you there.

Facebook event

Out of our collaboration I’ve written twelve poems to make a small collection called ‘Drawing Breath’. I’m going to post more about this soon, including some audio recordings, and details about a print copies.

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Charcoal

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I had a grand visit to Tansy Lee Moir’s Drawing in the Trees workshop at the Howden Park Centre yesterday.  I was there as part of my collaborative work with Tansy’s ongoing Dialogues with Trees project.  This was an excellent opportunity to see what happens in a workshop, and read one or two of the poems I’ve been writing to the artists taking part. The weather wasn’t ideal for drawing outdoors, but looking out the window today – it could’ve been worse!  We managed a quick foray between showers to some trees near to Howden Park.  Apparently watercolour pencil works well on wet paper…

After we were renewed by a quick coffee and sugar supplement, Tansy began to demonstrate some of the ways she works with charcoal to make her superb tree images. Then everyone enthusiastically started to get their hands dirty! I do enjoy photographing people when they get really engaged in a process.  Everyone’s focus was excellent and the amount and standard of work that happened in a short time demonstrated that this was a talented group of folk!

I’m sure that I will write more poems following from the experience of watching this group. I’ve found that the kind of concentrated looking that I like to use photography to achieve is a good starter for later ideas.  The truth is, however, I’m a pretty ‘slow poet’ – I don’t think I’d get far if put on the spot in the way that you sometimes hear on a radio program (“and we’ll hear what he’s written based on that story a little later in the show…”)  I suspect that perhaps there is an element of showbiz at work here, and authors might get a little more preparation time. However, fact is I’m slow, and I’m ok with that.  It takes me ages to get stuff down, and a few more ages to hammer it into something vaguely resembling a poem!

Fortunately yesterday I was in the happy position of having what I might call some Blue Peter poems. For those too young to remember or perhaps from overseas, Blue Peter was a long running UK children’s show.  Presenters demonstrating creative craft projects for young viewers would regularly reach authoritatively under the workbench to loft a minor triumph of paper, card, adult supervised use of cutting tools, and more-often-than-not ‘sticky-backed plastic’ with the words “we don’t have time to do all of this just now, but here is one that I prepared earlier…”  (I suspect that the “earlier” glueing etc was most likely in fact accomplished by craft-worker prototypes of QI’s research ‘Elves’).

A long ramble!  The point being, from my previous work with Tansy, I had some poems I’d already written about drawing and trees. So I could reach into my folder and produce something relevant that “I prepared earlier…”.  I could hardly ask for a more clued-in audience! I think the poems went down quite well. To close this post, I’ve included one below. 

For those that are interested, there is another Drawing in the Trees workshop in March.  I’ll be reading more poems at the Residency Presentation event later this April at Howden Park Centre.

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powdered charcoal

Charcoal

The fifth element, chopped and fired,
pulped, pressed and regrown as a sketch.

Only a few hundred grains
from hilltop shadows to putty pure glen.

From Marianas deep bass
to an almost inaudibly floated treble tremolo.

A winter-land in negative,
high altitude luminance over solid black ground.

A thin gauged pressure range,
stick dark ridge line and leather coaxed hollows.

A slim meniscus of opportunity
where leviathans may be tickled from grey sea mists.

Drifted mirages of wood
Emerging solid, substantial and inevitable as time.

Bodies breaching skyward,
Trunks shattered titanic in shadow-tone swells.

These fragile giants – at a clumsy sleeve
they might plunge and vanish, like a forest lost in fog.

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Collaboration: Dialogue with trees

I’m excited to be working on a collaborative project with artist Tansy Lee Moir as part of her ‘Dialogue with trees’ residency.  I’ve already made one visit to Calderwood in West Lothian to see and learn about the wonderful trees that are the subject of Tansy’s drawings.  Over the next few months I hope to visit again, and in the meantime I’ve begun work on a short series of poems developed from ideas about trees and my reactions to Tansy’s artworks.

The residency is proceeding with a series of events and workshops, and will end on April 23d 2017 with an evening at the Howden Park Centre when Tansy will give a presentation about all her work during the residency, and I’ll be giving readings including poetry developed over the course of our collaboration.

You can see an exhibition of Tansy’s superb drawings of trees right now at the Howden Park Centre in West Lothian.

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Take Ten: 10

dsc07280ssVery pleased to have one of my short poems (In the squall) included in Issue 10 of Fat Damsel’s ‘Take Ten’.

 


Essential labels

perfume maker's organ

Somewhere in the back of my mind, were the wonders of the ‘perfume maker’s organ’ – like this magnificent and rare specimen at the Palazzo Mocenigo Museum in Venice.

Something a little different – a series of seven ‘photo-label-poems’.

These are a light hearted response to an invitation from my brother-in-law to take part in a seven day ‘nature image’ photography challenge.

I decided to combine my response with a small collection of old laboratory bottles loaned from a colleague at work, and with some [very] short poems responding to each image, in the form of a label…

 

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Telling Time

It’s been quite a long time since I first read a poem to a ‘live’ audience. A few years in fact. Last week I got around to standing up in front of a small group of people in a (fairly) public space again.  The occasion was an ‘echo’ event at DCA where people were responding to an exhibition of the unusual slow animations of the artists IC-98. My poem tries to do it’s own explaining, so, I think I’ll just let it…

In response to an exhibition of work by IC-98. Dundee, January 2016. Continue reading