Trees can be very big, and some of them are very old. Their character and way of life is complex, in many ways hidden, and very different from our own. They can make us pause and they can make us gasp.
drawing breath is a collection of twelve poems arising from a collaboration with visual artist Tansy Lee Moir.
I’ve made booklet with the poems, some photographs, and some of Tansy’s drawings, and I’ve also made a series of recordings of readings. Hope you like them!
You can find links to all of these and more about our collaboration here.
In February I attended an excellent workshop by prima poet Helen Mort called ‘Lines of Ascent’. This was part of this year’s Stanza strand celebrating hills, mountains and high places in poetry. The exercise this poem started from was about experimenting with perspective. Inevitably much subsequent plodding to and fro was required to arrive at my effort below.
Also, n.b. I am very fond of biscuits, including the old fashioned varieties …
Tay’s estuary is a custard cream
from thirty two miles
and three thousand feet,
sat on my old friend Mayar.
She’s just a southerly yellow stripe,
currents fickle and ambiguous
smeared to a sweeter layer of light
between Broughty and Tentsmuir.
In February survey square biologists
cookie cut the machar there,
quadrats cast as girdle nets,
griddles tallying growth and life.
From here we’re shrunk invisible,
with my biscuit tea-dunked in hand,
I see us all in plain view vanishing,
sugar granules spilt in distant sand.