Category Archives: photography

Corbenic Poetry Path

We finally got around to visiting the Corbenic Poetry Path yesterday. The path is a delightful 3km walk through a variety of woodland, moorland and riverside habitats, around the periphery of the Corbenic Camphill Community near Dunkeld in Perthshire.

As the name suggests, poetry placed around the walk is part of the experience, and poems are placed at frequent intervals. Verses appear in the form of small post-top resin encapsulations, notices, and carvings on wood and stone. Some of these form sculptures well placed to work sensitively with the surrounding landscape, on a variety of scales. Sometimes the tone is contemplative, sometimes sombre, but also at times humorous and celebratory. Many of the works play with their specific locations, or refer to different aspects of the places in which they stand. There are also a number of sculptures, in materials both made and found, and even a sound installation (sample – note rainfall in background!).

There is a map on a panel near the (very small) car park, but the poetry path is dynamic – features do come and go. I think following the walk is enhanced by uncertainty about exactly what you might find next, but confidence that something unexpected will appear soon. Not knowing what is coming fosters a feeling of discovery, and I think that was part of the pleasure of our visit. The route of the walk itself is well made, charming and varied. Views across Perthshire from the walk are marvellous, often framed or emphasised by the artworks.

To be honest I had to look up ‘Corbenic’! Apparently in Arthurian myth it refers to the castle holding the Holy Grail. So perhaps, if this doesn’t sound too grand, ‘Corbenic’ can be taken to mean a location connected with a search for something of a nature which is both rare and has a spiritual dimension.

As I mentioned some poems are mounted on top of ‘poetry fence posts’ in resin blocks, the same size as the section of the posts, and about an inch thick. The small size requires a small point size of text which falls well below what is ideal for older eyes (…and, let’s face it, many of the poetry audience have been travelling on our personal grail quests for a whiley now…) These blocks had been glued on to the post ends, but (cue Scottish weather) this has not always proved a very firm anchor. Several were loose, and at least one was missing entirely, perhaps being repaired. However, all this is really a pretty minor bug-bear. But, when all is said and done, as well as a spiritual and artistic path, the walk is also route in the real world – change and erosion are inevitable!

It was a rainy day when we walked around, but given “appropriate clothing” I think the poetry path could be enjoyed in all but the worst of weather. As it was quiet, and RB and I went around on our own, we read some of the verses out loud as we went. I think this adds to the experience, as long as you don’t feel you might be irritating someone else. One advantage of a rainy day!

NB: Although the path is well made, some slopes would be hard for those with real difficulty walking. It is not suitable for wheelchair users.

Details and location

 


drawing breath

Trees can be very big, and some of them are very old. Their character and way of life is complex, in many ways hidden, and very different from our own. They can make us pause and they can make us gasp.

drawing breath is a collection of twelve poems arising from a collaboration with visual artist Tansy Lee Moir.

I’ve made booklet with the poems, some photographs, and some of Tansy’s drawings, and I’ve also made a series of recordings of readings.  Hope you like them!

You can find links to all of these and more about our collaboration here.

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old post

windstream whittled

boundary lines surrendered

sculpture on the way

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Charcoal

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I had a grand visit to Tansy Lee Moir’s Drawing in the Trees workshop at the Howden Park Centre yesterday.  I was there as part of my collaborative work with Tansy’s ongoing Dialogues with Trees project.  This was an excellent opportunity to see what happens in a workshop, and read one or two of the poems I’ve been writing to the artists taking part. The weather wasn’t ideal for drawing outdoors, but looking out the window today – it could’ve been worse!  We managed a quick foray between showers to some trees near to Howden Park.  Apparently watercolour pencil works well on wet paper…

After we were renewed by a quick coffee and sugar supplement, Tansy began to demonstrate some of the ways she works with charcoal to make her superb tree images. Then everyone enthusiastically started to get their hands dirty! I do enjoy photographing people when they get really engaged in a process.  Everyone’s focus was excellent and the amount and standard of work that happened in a short time demonstrated that this was a talented group of folk!

I’m sure that I will write more poems following from the experience of watching this group. I’ve found that the kind of concentrated looking that I like to use photography to achieve is a good starter for later ideas.  The truth is, however, I’m a pretty ‘slow poet’ – I don’t think I’d get far if put on the spot in the way that you sometimes hear on a radio program (“and we’ll hear what he’s written based on that story a little later in the show…”)  I suspect that perhaps there is an element of showbiz at work here, and authors might get a little more preparation time. However, fact is I’m slow, and I’m ok with that.  It takes me ages to get stuff down, and a few more ages to hammer it into something vaguely resembling a poem!

Fortunately yesterday I was in the happy position of having what I might call some Blue Peter poems. For those too young to remember or perhaps from overseas, Blue Peter was a long running UK children’s show.  Presenters demonstrating creative craft projects for young viewers would regularly reach authoritatively under the workbench to loft a minor triumph of paper, card, adult supervised use of cutting tools, and more-often-than-not ‘sticky-backed plastic’ with the words “we don’t have time to do all of this just now, but here is one that I prepared earlier…”  (I suspect that the “earlier” glueing etc was most likely in fact accomplished by craft-worker prototypes of QI’s research ‘Elves’).

A long ramble!  The point being, from my previous work with Tansy, I had some poems I’d already written about drawing and trees. So I could reach into my folder and produce something relevant that “I prepared earlier…”.  I could hardly ask for a more clued-in audience! I think the poems went down quite well. To close this post, I’ve included one below. 

For those that are interested, there is another Drawing in the Trees workshop in March.  I’ll be reading more poems at the Residency Presentation event later this April at Howden Park Centre.

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powdered charcoal

Charcoal

The fifth element, chopped and fired,
pulped, pressed and regrown as a sketch.

Only a few hundred grains
from hilltop shadows to putty pure glen.

From Marianas deep bass
to an almost inaudibly floated treble tremolo.

A winter-land in negative,
high altitude luminance over solid black ground.

A thin gauged pressure range,
stick dark ridge line and leather coaxed hollows.

A slim meniscus of opportunity
where leviathans may be tickled from grey sea mists.

Drifted mirages of wood
Emerging solid, substantial and inevitable as time.

Bodies breaching skyward,
Trunks shattered titanic in shadow-tone swells.

These fragile giants – at a clumsy sleeve
they might plunge and vanish, like a forest lost in fog.

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Collaboration: Dialogue with trees

I’m excited to be working on a collaborative project with artist Tansy Lee Moir as part of her ‘Dialogue with trees’ residency.  I’ve already made one visit to Calderwood in West Lothian to see and learn about the wonderful trees that are the subject of Tansy’s drawings.  Over the next few months I hope to visit again, and in the meantime I’ve begun work on a short series of poems developed from ideas about trees and my reactions to Tansy’s artworks.

The residency is proceeding with a series of events and workshops, and will end on April 23d 2017 with an evening at the Howden Park Centre when Tansy will give a presentation about all her work during the residency, and I’ll be giving readings including poetry developed over the course of our collaboration.

You can see an exhibition of Tansy’s superb drawings of trees right now at the Howden Park Centre in West Lothian.

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Gallery

Something a little different – a gallery with an assortment of some of the images and montages that I’ve made to illustrate this blog over the past wee whiley …


Review: Elementum No 1

‘Ocean Beat’ by Sorrel Wilson and Jay Armstrong

Reading Elementum is something of a subtle sensual overload.  This new journal ‘of nature and story’ is a beautifully judged amalgam of photographs, art, narratives, poems, design, paper craft and ink. Everything about it seems set to put a brake on the swish-swish-swoosh mode of browsing engendered by too much shiny screen time.  The matt surface of paper itself gives the eye traction, and the words on the page offer a firm growing medium for thought.  This is rich soil.  And, like a healthy loam, the book – it’s fair to call it that, as it is a decent index finger think – has it’s own intoxicating scent. I’m reading while basking in the fertile tang of printer’s ink.  Contributor and editor Jay Armstrong has made a marvellous thing! Continue reading