I originally wrote this intending to send it in to Visual Verse for a great image of a horse by Bruce Connew. I never got around to it, and I’d forgotten about the poem until I happened on it today. Anyway, I still kinda like it, I hope you will too. As often from me, there’s also some sciencey inspiration – see below…
Karen McComb, who heads the research group and co-lead author of the study, said “Horses may have adopted an ancestral ability for reading emotional cues in other horses to respond appropriately to human facial expressions during their co-evolution. Alternatively, individual horses may have learned to interpret human expressions during their own lifetime.”
Source: ‘Horses can recognise human emotion, study shows’ Guardian 10/2/2016
scary sounds tinder
my right brain.
my left eye
you. your voice. angry. anger. danger. is it?
do i? do we? does the herd?
set, set, set.
my heart revs.
a dren a lin.
ready, twitch, ready.
time made your mood our threat.
your anger the wolf on the prairie.
your impatience an adder under-grass.
your oath hard iron in flight.
so if you don’t need to, just don’t.
step calm. breathe gentle.
speak less. listen more.
hear. my. gaze.
Trees can be very big, and some of them are very old. Their character and way of life is complex, in many ways hidden, and very different from our own. They can make us pause and they can make us gasp.
drawing breath is a collection of twelve poems arising from a collaboration with visual artist Tansy Lee Moir.
I’ve made booklet with the poems, some photographs, and some of Tansy’s drawings, and I’ve also made a series of recordings of readings. Hope you like them!
You can find links to all of these and more about our collaboration here.
boundary lines surrendered
sculpture on the way
She sighs off the boulder wall.
Randomise, resequence and replace.
Shoulder, hand, heel. Shelf, stretch. Step, toe, jam.
Old plastic puzzle pieces itchy to fit,
An unpacked jacket tangram Tetris in a gale,
Chalk cat’s game, reset and go again.
Tumbled down red mat recombinations,
A solid grace neatly reabsorbed,
Fingers sounding mumbled alterations.
Incredible all-at-once, do-it-now obvious,
The Tower of Hanoi’s hop skip traverse,
Arms unfankled into two warm sleeves.
This piece (words, sound, image) was made in response to a New Scientist article by Jessica Hamselou about studies by researchers at the University of St Andrews, and the University of Western Ontario into the phenomenon of déjá vu.
You read more about the science in Jessica’s fascinating article online at New Scientist.
My reading and the poem are below, click on the wee tiny thumbnail for a larger version of the image.
An echoed note bends from my
throated whisper to pipe your name.
In the morning I will see
A curlew fly with purpose, horizon
Perpendicular to the driven path.
His bill less hooked than remembered,
His flight as strong as I recall,
His ghost cry stilled in passage.
RSPB’d data beats decreasing,
Awaits a weirder silent season,
As we glance shivers when you sing.