Category Archives: inbetween

Breaking the mould

Breaking the mould

In the box-van back a mirror cabinet
trembles leafy outer worlds under
a roller-back gate of steel, half open,
like the cloth-bound shell of my father’s desk,
a sticking portal to cryptic drawers, tiny shelves,
to faint unsmoked tobaccos of before.

Ahead, and through my windscreen,
outside inside, green shimmers framed
by the mover strapped hardwood mouldings,
whisper hints of a remote Narnian spring.

Breaking the Mould grins in lean sans-serif,
strap-line wry beneath the tailgate logo.
I pray granny’s paper-lined display case
will pass Dens Road’s potholes un-cracked,
that still somewhere seven more years’ luck,
or even fair Cair Paravel, might be found intact.

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Now there is a wire

Now there is a wire

~~ So there is a wire now. ~~ Step back, rethink. ~~ Now there is a wire. ~~
Before, for thirty years,
there were only posts.
Posts with old tales
of once-upon-a-fence.

Like the empty posts
in empty places,
high lines in the hills,
cast iron sentinels in
Victorian picturesque,
secure verticals
of redundant limitation.

Or eroded wooden
posts, wind riven
Giacometti men,
weird signs or saviours,
misty day markers,
wires all unstrung,
silent to the gale.

But here now,
a single wire,
not even barbed,
a margin for stock
herded to pasture,
one galvanised line,
not a problem,
stepped over with ease.

Is it only because,
white haired as I am,
I still want to skip
like an unruly child,
that it rankles so,
that
now there is a wire?

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Walking out the words

Back in December I posted about The Curlew publishing one of my poems called ‘Horizoned’. Recently the editor got in touch with me to ask about using the poem for some teaching she is planning, and if I could record something about my motivation in making this kind of poem. I was delighted to do this of course, but I thought it might be fun to try to show something about what goes into some of my ‘wandering’ poems.

Really I wanted to take people on a wee walk, because there is something about being there (and getting there!) that is essentially important. An aspect of embodied poetry perhaps.

There’s a long tradition of walking poets – the Wordsworths and Bashō prominent among them. When I googled about the topic I found some fantastic work by Mike Collier of the University of Sunderland which is well worth a look.

Here is my wee piece, with a reading at the end. I tried to cover the questions of what and why seriously, but answering using images, sound and physical effort(!) as well as words. I hope the result is entertaining as well as informative…

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More posts about walking.

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the shortest night

the shortest night

Nearly eleven p.m., dry and mild,
bright enough for reading outdoors.
Warm intimations of honeysuckle,
lemon balm, tiger lily’s sharper bite.

Sleepless through three thin hours undarkened,
fortified tea brewing dusk spun verses,
I fidget dust my tiny cabinet of
keepsakes found and curiosities kept,

rearranging these unsure talismans,
certain enough what each is, less clear why.
I find and re-read some childhood chapters,
and discover though changed they move me still.

Until, like a birthday dawn, bird sung dews
condense fresh light from thin and unslept airs.

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horizoned

Horizoned

Fafernie is a rounded top
astray amid other places.

Southeast a shank to the Knapps,
slow strewn stone rumpled ancient beds.

Northwest Callater glens a way
to distant Cairngorm stories,

if these are unobscured by clouds
looming grey with rain lofted into snow

as ambiguous as now.

 

At the small cairn a throw from the top
I meet ptarmigan partners.

Sighting me they take stations:
he stands porcelain on the topstone,

eyeing me with red khol caution.
A step past, she sits well grounded,

dissolving spring speckle into
lichen and wind rounded stones

as still as earlier ice.

 

Bending slowly, I rediscover
her against the uncertain sky.

Firmly static, from above she flickers
lost and found and lost again.

Stalking an unready camera,
I exist too much, and they burst

in flurry croaked alarms of flight,
just far enough to horizon me

as vanished as myth.

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old post

windstream whittled

boundary lines surrendered

sculpture on the way

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Déjà vu

This piece (words, sound, image) was made in response to a New Scientist article by Jessica Hamselou about studies by researchers at the University of St Andrews, and the University of Western Ontario into the phenomenon of déjá vu.

You read more about the science in Jessica’s fascinating article online at New Scientist.

My reading and the poem are below, click on the wee tiny thumbnail for a larger version of the image.

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