With plenty of help from exhibition organiser Tansy Lee Moir, my projection/montage/video piece was safely installed at St Margaret’s House in Edinburgh last night. My piece is based around readings of three short poems from Drawing Breath.
The Grown together exhibition opens on Saturday November 11th. The exhibition (seen in preparation below) shows a marvellous and very varied collection of tree inspired artwork. Chuffed to be in the company of so many fine artists.
The Bells of Hell go ting-a-ling-a-ling / For you but not for me: For me the angels sing-a-ling-a-ling / They’ve got the goods for me. Oh! Death, where is thy sting-a-ling-a-ling? / Oh! Grave, thy victory? The Bells of Hell go ting-a-ling-a-ling / For you but not for me.
The man who would transplant
a human head, or properly,
exchange a human frame,
Frankenstein or Doctor Strange?
He talks his plan, so far so good,
and sure, well, perhaps, maybe?
Until chillier air keens a chime,
whispering the unsafe word, immortality.
An itinerary reminder bings aloud,
it’s Monday, almost midday,
whether my head is there or absentee,
in two minutes the Bute in test
will scream alarm like a scorched banshee.
And in my arms a little twitch,
fingers flicker startle ready,
fumbling set to save my ears – fair warning for you and for me. . . .
Some more information about the Grown together exhibition in Edinburgh next month…
click to enlarge
This exhibition brings together 18 artists, makers, poets and designers whose work is intimately connected with trees and woodland.
Though their works span a wide variety of media they are all united by a strong affinity with woodland; as a place to observe and connect with nature, as a rich source of metaphor, as a place for reflection and healing, as a link to distant myths and inspiration for new writing, as a sustainable resource to work with. For some, trees are their singular subject or their raw materials, for others they represent a starting point for their imagination.
Timed to coincide with the launch of the new national Tree Charter, ‘Grown together’ seeks to highlight the relationship between artists and trees and remind us of the reasons we should value and protect them. By considering trees in new ways, we can learn much about ourselves.
‘To enter a wood is to pass into a different world in which we ourselves are transformed. It is where you travel to find yourself, often, paradoxically, by getting lost.’ Roger Deakin, Wildwood 2007
In November there will be an exhibition at St Margaret’s House in Edinburgh called Grown Together. Timed to coincide with the launch of the Tree Charter, this will feature the work of nineteen artists with a shared interest in trees. I’ve been working on video material for a loop which will be part of a small installation. The videos combine ambient audio captured in some local woodlands with animated text and readings of some of my poems from the small collection called Drawing breath.
Here’s a test piece for one of my videos. (Please ignore the headphone graphic near the start – it’s just there to indicate that there is audio to passing visitors).
The poem takes a tree’s-eye-view of passing humans, coming around to memory and how remembering works, or doesn’t…